The mother of the little girl Nakaw has to stay in Taipei for work, but her grandfather, who depends on her for survival, is no longer healthy. At the same time, the tribesmen are in conflict with each other because of the development plan of "selling land for progress". Is building a hotel and providing employment opportunities the only way for the tribe to survive? Based on the real experience of co-director Lega Shumi's mother Shumi Runi in promoting the restoration of water terrace wetlands, it pays tribute to every Don Quixote who silently contributes and sticks to his ideals on this land.